The painting on glass takes its beginning from the 12th century. It also developed during the Gothic, but the highest dawn reached the Renaissance in the 15-16th centuries in the 15-16th centuries.
At that time, glasses used enamel paints, which included copper oxide, iron, glass, taned into powder, and honey or wood glass served as a binder. These paints were viscous, so they covered the glass with a thin dense layer and did not spread, but were easily prone to damage. Painted stained -glass windows were based on the alternation of dense, translucent sections and unnecessary glass.
Among the images, the faces of people, details of clothing, hands, various plants and ornaments prevailed.
Over time, the master began to perform spectacular paintings, which was facilitated by the improvement of paint. The plots of works of art became more diverse, everyday. Of course, biblical plots and sacred images occupied the central place, but the artists tried to bring something from their time to them. Thus, portraits of benefactors of the church, priests, and kings began to appear in the windows of the cathedrals. A little later they began to portray family coats of arms, genre scenes, narrative descriptions. Today, the design of the apartment is so diverse as the designer’s horizons of the designer. Assk Trian, the company offers complete freedom in choosing design and materials, while always helping with advice and offering professional assistance in repair.
Grixil was popular in those days – applying the drawing of the same color, but in all tonal transitions. Usually used black or brown paint. They were painted very complex compositions, reminiscent of patterns on carpets or fabrics.
Of great importance was the invention of yellow silver paint and improvement of glass quality.
Renaissance artists raised stained -up painting to an unheard of level. The main role began to belong to colorless glass painted with paints. Laying colored glasses on top of each other, the masters received new shades. Landscapes, Gothic architecture, drapery, large figures and historical compositions performed in bright colors began to prevail in the theme. Artists realistically depicted people, beautifully looming them against the background of nature.
Gradually, painting on glass began to penetrate the dwelling and life of individuals. Portrait images and secular themes become common. The stained -glass windows were clearly drawn, but had a small size, so they could only be considered at close range. The technique of execution began to resemble engraving, as brown or gray paints were used.